In a time when dancefloors are increasingly filled with phone screens, Chris Stussy is bringing things back to the essence of club culture. On April 24, at the Belgrade Fair, his USS concept arrives at FOMO with a strict no phone policy — no filming, no scrolling, no distractions.
The idea is simple: return to the moment. By removing digital interference, the connection between the DJ and the crowd becomes more direct, creating a more authentic and immersive atmosphere where energy is built through music, movement, and shared experience.
Stussy, one of the leading names of the contemporary house scene, is known for his groove-driven sound, global tours, and his label Up The Stuss. With performances at major festivals and clubs worldwide, he continues to shape the modern club landscape — and now brings that energy to Belgrade.
Adding to the night is a special guest performing in the city for the first time — Ryan Elliott. A longtime resident of Berlin’s iconic Berghain and Panorama Bar, Elliott is celebrated for his refined, emotional sets that seamlessly blend house and techno, balancing raw club energy with a sophisticated underground edge.
Local support comes from Nemax and Nadezda, two key figures of the Belgrade scene, whose sets connect years of experience with a contemporary sound, building a strong sense of unity on the dancefloor from start to finish.
This is more than just another party. FOMO creates a space where music takes the lead, and people become fully present — a rare moment of connection in a hyper-digital world.
Writer. Blogger. Traveler. Researcher. Electronic Music Lover.
